NO FILTER
BY RHICK LARS VLADIMER ALBAY
There’s no stopping Iloilo’s cultural movement
"WE PAINT walls to break walls,” muses Marrz Capanang, one of the people behind the...
PAUTWAS!
BY JOEL FRANCO
Ano naman nga bansag ang
mabaton sang Iloilo sa SONA?
SANG una shabulized. Subong bedrock.
Sa mga politiko nga kontra sang lokal nga administrasyon, ginasaulog...
EDITORIAL
War casualties
LET’S KEEP this in mind all the time: in war, there are no victors, only victims.
With war in their midst, many of our...
JUST ANOTHER DAY
BY LUIS BUENAFLOR JR.
“They Dance Alone” (Cueca Solo)
“Why are these women here dancing on their own?
Why is there this sadness in their eyes?
Why are...
MORE VITAL THAN EVER
BY EDGARDO J. ANGARA
Generous Chinese ODA: At what price?
PUBLIC Works secretary Mark Villar recently announced that the government will soon be breaking ground on...
MY LIFE AS ART
BY PETER SOLIS NERY
Where you put your hand
Your hand between my thighs —
Close, so close to heaven
Like a prayer. (#917)
*
Hot and sweaty —
Your hand...
URBAN FARMER
BY JULIO P. YAP JR.
Improving the survival rate of pre-weaned kids
THE development of innovative feeds and feeding schemes is vital and necessary to improve...
EDITORIAL
Agrarian reform
IN HIS first State of the Nation Address last year, President Duterte was silent on one of the issues closest to the heart...
PEOPLE POWWOW
BY HERBERT VEGO
For whom do the pollsters work?
IT BOGGLES the mind that big-time commercial pollsters like the Social Weather Stations (SWS) and Pulse Asia...
PSYCHOTROPIC
BY ANGELICA LOUISE PFLEIDER
‘Mariit ang tinion’
IF YOU were to describe how things in the Philippines are, you can liken it to Gotham City whenever...